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五道营胡同四合院改造(蕊工坊)
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所有图片及文字来源:https://site.douban.com/291230/widget/photos/193082174/

 

四合院改造

蕊工坊“Xin”店,取“Xin”为题做一家小店,“Xin” 即为新旧的新,也可为用心的心;地理坐标在北京,为国心;雍和宮附近胡同,有佛心;品牌主題的蕊字,是花心;建筑设计的实现,要用心;此为对于“Xin”的理解。

展示空間的不同在于於,我们在一各中式外壳下以一顆当代艺术心,用雕塑的手法,置于极简空间中一各浮沉的通道,局部镂空空,利用“借景”的艺术形式,突破空间局限,丰富园景,之上有人着一袭白衣行走,形成画面与话题,此雕塑通道正是此空間不可复制的核心,同时也是空間展开设计的原点。

作為一個生活美學空間,它的属性不是一成不變的,那么我們在做整体规划的時候考虑的从空間使用者的角度出發,还給使用者一个合理舒适的空間,并践行維克多·帕帕奈克所提倡的反对無用的設計,給空間做“简”法。

Rui studio “Xin” shop, “Xin” as the title of a store, “Xin” is between the old and the new, but also for the intentions of the heart; geographical coordinates in Beijing, in the heart; near Lama Temple alley, there is the theme of the brand; core word is flower; architectural design to achieve. The heart;This is the understanding of “Xin”.

The exhibition space is different from that in each case we Chinese to a contemporary art, with sculpture techniques, a minimalist space and a hollow channel, local time, the use of “borrowed scenery” art form, break through the limitations of space, rich landscape, above the people dressed in white walking and form a picture with the topic, this channel is the core of this sculpture space can not be copied, but also the origin of space design.

As a life-space,its aesthetic attribute is not invariable . In making a whole programme , we must consider the point of view of the space users and provide them a proper and comfortable space . In practising the “Auti-useless design”theory by Victor Papanek, space should be done subtraction.

梦令 CM昶明航标 等2人赞过
2017.06.29
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